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In On Rats and Tigers, Lily Hoang explores the Zodiac, immigrant experience, family, mourning, addiction & burgeoning love & its disintegration.

An excerpt from Lily Hoang’s On Rats and Tigers:

My essays all circle around certain characters: my dead sister; my heroin-addict motherless nephew Justin; Brandon, who I met the day my sister died, our love affair, our fun, the way he destroyed me; my parents, whom I destroy. I rarely include: my other nephew, Mason, the one who’s doing well; my brother, who has bought me fashion; I hate Karl but he finds his way into these essays too.

My sister gave me a purple monkey. I can’t remember if this was before or after prison. I treasured it – but I never named it.

Hate: a new emotion for me. I wish I hadn’t learned it.

Read an Excerpt from I, Afterlife: Essay in Mourning Time by Kristin Prevallet, guest judge of Essay Press’ Open Book Contest

An excerpt from Kristin Prevallet’s I, Afterlife: Essay in Mourning Time:


The narrative goes something like this:

My father walked into a hospital. Outpatient. He was suffering
from severe panic attacks. He was sleeping two hours a night. He
had to fill out a form: Name, address, birthdate. Is the patient
suicidal? He checked “no.” The next week, he drove to a gun store
and bought a revolver. The next week, he drove to a parking lot
and shot himself in the head.

Before this, he made an appointment to see a psychiatrist, and got
a prescription for Paxil. The psychiatrist gave him a form: Name,
address, birthdate. Are you suicidal? He checked “no.” He only
saw the doctor once.

There are numerous studies that link Paxil to suicide, not because
he was depressed there is no reasonable proof that he was not
suicidal before he took the Paxil. So this is a story that leaves a wide
margin of doubt, a story that is not about probable cause.

On the day he died, November 20, 2000, it was overcast, but not
too chilly. It’s possible that he had tried to go to the gym at 5 A.M.
At some point, he bought The Denver Post because he used it to
cover the windows of the car.

At 8 A.M. some kids from the neighborhood were on their way
to the park. They saw the lone car in the parking lot, with the
windows covered in newspaper. They peeked in and saw a man
slumped over the steering wheel. One thought he saw blood on
the man’s ear. They called the police.

The police came to the house and asked, “had the victim been expressing
suicidal thoughts?” They gave my stepmother a pamphlet, which included
advice on how not to feel guilty. The pamphlet advised against building
a shrine.

My stepmother wanted to see the body, to say a proper goodbye.
The police told her to call the coroner’s office. She called. They
said, “You can’t see the body. We’ll leave his hand outside of the
sheet for you.”

We collected dried flowers from the garden and wrote letters
that so my father would have something to open when he woke up
on the other side. Zinnias, peonies, poppies, and strawberry bush
brambles. We were trying to fill in the gap.

The report from the scene is the police-side of the story. 1) They
searched for a pulse. 2) They established identity. 3) They took
photos. 4) They wrote down descriptive phrases. (They investigated
to make sure no foul play was involved.)

No evidence exists to call this “murder” because it cannot be
proven that any outside force caused this violence act to occur.
Internal violence is too intangible to be considered “proof.”

So, as I was saying, after three days of being on Paxil, he drove
eleven miles to Rocky Mountains Guns & Ammo on Parker Road
and purchased a Colt revolver for $357. I asked my sister, “Who
was driving? The man or the medicine?”

He signed a form: self protection. So, a man walks into a store and
buys a gun for self protection. But self protection cannot protect
the man from himself. I said to my brother, the logic escapes me.

The bumper sticker on his car read, “Conflict is inevitable,
violence is not.” The police didn’t make a note of it on their report.
The man who sold him the gun probably didn’t notice.

The scene: a baseball field, in the heart of Englewood, Colorado.
A field, and behind the field, a thick grove of trees concealing a
bike path. One single and solitary tree sits off to the side of the
field. A parking lot. He parked the car in the eighth spot, facing the
solitary tree. When I went to investigate a few days later, I found a
pile of grass. From the evidence I deducted his location at the time
of death.

But this is not the whole story. The whole story is gaping with
holes. The “hole” story is conflicted, abstract, difficult to explain.

Sublimation: when solid becomes ether without passing through
the liquid state. When the overflow of negative psychic energy is
rechanneled into writing, or art. When the distance between living
and dying is filled in with language, objects, people, and mundane
activities, such as doing the dishes. When something difficult
to articulate finds its form in poetry. When dead (silence) is
brought back to life (mythology).

Regardless, the story has many possible forms and many angles
of articulation. This is elegy.

In Trance Notebooks #22, Wayne Koestenbaum presents journals as “a higher pitch of ceremony, an occasion for intensified, unmoored consciousness.”

An excerpt from Wayne Koestenbaum’s Trance Notebooks #22 [ultramarine has a pocky charisma]:


sons as sticks to be
proud of, even from
afar

she abandoned

me while playing harp

 

we sing because we hold
ourselves secret
resources apart
from imagined drunken
victories

suddenly
sentimental we

On Poetics, Identity & Latinidad presents a series of conversations exploring diverse aspects of Latina/o poetics with six CantoMundo poets

An excerpt from Rosebud Ben-Oni’s introduction to On Poetics, Identity & Latinidad: CantoMundo poets speak out which collects discussions from contributors Milicent Borges Accardi, Marcelo Hernandez Castillo, Damel Alejandro Holnes, Amy Sayre Baptista, David Tomas Martinez and Ruben Quesada.

When I first applied to CantoMundo, I was worried that my mixed upbringing (my mother being Mexican and my father being Jewish) would automatically “disqualify” me. But the founders embrace the multicultural, multiracial and overall complicated identity that is Latina/o. While I’ve had many influences in my life, I had struggled with the idea of identity, and never had a real writers’ community in which to engage in ideas. After my first CantoMundo retreat, I felt intertwined with a multitude of individuals united by the necessity to grow as poets. I learned that Latina/o poetics, as much as Latina/o identity, does not have to have a singular defining trait, perspective or voice. This was liberating for me as a poet, and the inspiration for this curated conversational series was those hot June days at the 2013 retreat, with temperatures well over 100 degrees, with days that fell into night while the conversations never stopped: they only morphed into new ones.

In Considering Garlands, six innovative nonfiction editors discuss the nature of editing & the art of anthologizing

An excerpt from the David Lazar’s introduction to Considering Garlands: On Anthologies which collects discussions from contributors John D’Agata, Robert Atwan, Joy Castro, Patricia Foster, Philip Lopate, and Jill Talbot


We are all indebted to Meleager of Gadara, who gave us the Garland, which stands for us as the beginning of the anthology, the anthologia, a floral collection, or in Latin, “florilegium.” Meleager connected flora as emblems to various poets and epigrammatists, thus the name of this anthological root of ours. Only parts of the original version of the Garland now survive, subsumed into the larger and later Anthologi Graeca.

“But we can imagine that the urge to collect, to preserve, to arrange precedes even this. There is something floral, and something culinary in the urge to choose and arrange. Because there is the desire to recreate an experience in the anthology – just as there is in a meal, or garden. In all three cases, too, the impulse to share is a generous one, and also bound up in a reasonable degree of ego. As with the chef, the anthologist says, or rather, must assert, “I know what is good, or what is interesting.” And yes, the generous part, is “I’d like you to know it, too.” Perhaps that is confirmation. And sometimes, one might think, it is the desire for influence, though heaven knows that kind of hubris seems bound to have its second parachute fail.

browse the chaps:

  • ep09lazarcover6nodogear
  • ep10benonicover
  • ep11koestenbaumcover
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Essay Press is launching its first open book contest, with Kristin Prevallet as guest judge. The reading period opens January 16th, 2015 and closes at 9 p.m. on April 1st, 2015. For more information, please go to the link.

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